
Koei Tecmo America Corp. is a publisher of interactive entertainment software for current generation consoles, handhelds and digital download content based in Burlingame, California.
Koei Tecmo America Corporation operates out of Burlingame, California and serves as the North American publishing arm for a larger Japanese entity. While the company was founded in 2010, its recorded activity on PlayPile spans from 2013 to 2022. The firm has released 11 titles under its name, with only one credit showing them acting as a developer rather than a publisher. Their catalog is heavily skewed toward the Role-playing genre, which accounts for nine of their releases. They also have a presence in Hack and slash, Adventure, Strategy, Simulator, and Turn-based strategy games. The company maintains a strong focus on console hardware. PlayStation 4 and PC titles make up the bulk of their library with seven games each, followed closely by six Nintendo Switch releases. They also supported older systems like the PlayStation 3 and PlayStation Vita with five games apiece. Their reach to mobile platforms is minimal, with only two iOS titles and single entries for Xbox One and Xbox Series X|S. In terms of quality, the publisher has a consistent track record of solid but not exceptional work. Across six rated titles, their average IGDB score sits at 71.2 out of 100. There are no titles rated as great or poor in their dataset. Every single rated game falls into the good category, ranging from 60 to 79 points. The highest-rated title is Toukiden 2, which holds a score of 77.3. Other notable entries include Samurai Warriors: Spirit of Sanada at 74.5 and Atelier Shallie: Alchemists of the Dusk Sea DX at 70. Their output has slowed in recent years compared to their peak activity. The company released seven games during the 2010s, whereas only four titles appeared in the 2020s before they ceased new releases in 2022. Recent entries include Monster Rancher 1 DX and Monster Rancher 2 DX from December 2021, as well as Atelier Sophie 2 earlier that year. While their scores remain steady within the good range, there is no evidence of a shift toward highly acclaimed masterpieces or a decline into poor quality titles during their active period.










