Fellow Traveller

Fellow Traveller at a Glance

Fellow Traveller is an Australian company that started in 2013 and has been active from 2014 through 2025. They operate primarily as a publisher with 34 titles on their credit list and only one game developed directly by them. Their catalog on PlayPile contains 35 entries, showing a clear shift in output volume over time. The company released eight games during the 2010s but accelerated significantly in the 2020s with 24 releases. This growth aligns with their focus on indie narrative games and their role as the host of #LudoNarraCon. The studio targets specific audiences through distinct genre choices. Adventure is their dominant category with 31 titles, followed closely by Indie at 29 and Role-playing games at 16. They also publish Point-and-click games, Puzzles, Simulators, and Strategy titles. Their platform strategy favors PC Microsoft Windows with 33 releases, while they also support Mac and Nintendo Switch with 22 platforms each. Support for Xbox Series X|S and PlayStation 5 is present at 10 games each, though their reach on mobile devices is limited to just five iOS and three Android titles. Quality assessment shows a generally strong track record. The average IGDB rating across 19 rated titles stands at 74.5 out of 100. The breakdown indicates that most releases are well-received, with 10 great titles scoring 80 or higher and seven more falling in the good range between 60 and 79. Only two games received mixed scores, and none dropped below 40. High points in their catalog include The Invisible Hand from 2021 at 90/100, 1000xResist in 2024 at 87.9, and Hiveswap: Act 1 in 2017 at 86.6. Hacknet and Paradise Killer also landed strong scores of 83 and 83.2 respectively. Recent activity shows they continue to release new content into 2025. Notable upcoming or very recent projects include Wander Stars, Kulebra and the Souls of Limbo, and Afterlove EP. Citizen Sleeper 2: Starward Vector arrived in January 2025 with a score of 80.6. The company maintains a consistent presence in the narrative space without trying to mass-produce generic content across all genres.

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