
npckc (pronouns they/she) is a solo developer based in japan making little story games. their games can be found on itch.io, steam, google play & consoles. they also provide translation, review, writing & design services.
npckc is a Japanese studio that has released 41 titles since starting their work in 2017. Their profile lists them as both a developer and publisher for these projects, with the majority of releases appearing under their own development banner. The company operates as a solo team led by an individual who uses they/she pronouns. This person focuses on creating small narrative games that often fall into the indie category. They also offer services for translation, review, writing, and design to other creators. Their catalog shows a clear preference for story-driven experiences across several genres. Adventure titles make up 22 of their games, while 20 entries are classified as visual novels. Indie accounts for 23 releases, and they have also explored simulator, role-playing, point-and-click, arcade, puzzle, and turn-based strategy themes. Platform support is broad but leans heavily toward open systems. They have released 27 games for Windows, 26 for Mac, and 25 for Linux. Web browser versions account for 20 titles, with smaller numbers for Android, Game Boy, Nintendo Switch, PlayStation, and Xbox consoles. The company's output has grown over time. They published 16 games during the 2010s and followed this with 25 releases in the 2020s. Their most recent activity includes titles like The Servers Are Shutting Down in 24 Hours but My Pull Rate's Been Set to 0.0001%?!, Megane Breaker, and Picogori 2025. Earlier works include One Night, Hot Springs from 2018 and Last Day of Spring from 2019. Quality ratings on the platform reflect a modest reception. Only two games have received IGDB scores so far. Both titles fall into the good range rather than achieving great status. One Night, Hot Springs holds a score of 70.1 out of 100, while Last Day of Spring sits at 68. There are no mixed or poor rated games in their current data set, but the absence of high scores suggests their work does not consistently reach top-tier acclaim. The small sample size means these numbers may shift as more titles are reviewed.








































