Bbmf Corporation

Bbmf Corporation at a Glance

Bbmf Corporation operated as a Japanese publisher and developer primarily focused on mobile content between 2006 and 2011. The company released a total of 16 games on PlayPile, with nine titles developed directly by the studio and seven published under their name. Their catalog is heavily concentrated in the Role-playing genre, which accounts for 13 of their releases. The remaining three games cover Arcade, Turn-based strategy, Tactical, Puzzle, and Strategy categories in single instances each. All of their output was designed exclusively for Legacy Mobile Devices, indicating a narrow platform reach that did not extend to consoles or modern smartphones during their active years. The company produced the vast majority of its work in the 2000s with 14 games released between 2006 and 2009. Production slowed significantly in the following decade, with only two games appearing in the 2010s. Their later releases included Persona 4 Colors in January 2011 and Megami Tensei Gaiden: Shinyaku Last Bible III - Mugen no Eiyuu in September 2010. Earlier titles from their peak period include Devil Summoner: Soul Hackers New Generation, Megami Tensei Gaiden: Shinyaku Last Bible II - Hajimari no Fukuin, and Persona 2 Batsu: Infinity Mask, all released in late 2008. These entries show a clear reliance on the Shin Megami Tensei franchise for their most significant projects. The company underwent several structural changes during its short lifespan. An IGDB bio notes that BBMF had multiple mergers and takeovers with similar mobile content companies before renaming themselves Menue Co. Ltd in August 2010. This rebranding coincided with a shift toward iPhone and Android development, though they continued to support the iappli platform until around 2011. By September 2014, the entity became Beaglee Co Ltd, which remains their current operating name. The data shows a small output volume over five years with a specific focus on mobile RPGs during an era when those platforms were still evolving. Their ratings are not reflected in the provided text, so no conclusions can be drawn about the quality of their work beyond the titles they chose to produce.

Release Timeline