
SCE London Studio have sought to forge new ground and have gained extensive experience in bringing new ideas to the PlayStation platforms, they have created a broad range of games including the award-winning Wonderbook, SingStar, EyeToy and The Getaway.
If you are browsing PlayPile looking for information on SCE London Studio, you will find a UK developer active from 2002 to 2016. This studio released 83 games as a developer and published one more during its fourteen-year run. Their catalog is heavily concentrated on the PlayStation 2 with 54 titles and the PlayStation 3 with 45 titles. They also made three games for PlayStation 4 and single releases for PlayStation VR, PlayStation Portable, and other platforms. The company focused almost entirely on music games, which account for 69 of their 83 entries. Sports, simulators, shooters, arcade, racing, puzzle, adventure, and quiz titles make up the rest of their library. The studio produced most of its work in the 2000s with 59 releases compared to only 23 games in the 2010s. Their average rating across 35 tracked titles sits at 69.2 out of 100. The quality distribution shows eight great games scoring 80 or higher, 23 good titles between 60 and 79, three mixed entries from 40 to 59, and one poor game under 40. Their highest-rated works are all music focused. SingStar: The Dome from 2005 and SingStar: Motown from 2009 both achieved 90/100 scores. SingStar (2007) reached 84.9, while SingStar: Legends in 2006 scored 84. SingStar: BoyBands vs GirlBands from 2008 earned an 80. Later years saw a drop in performance for their music series. SingStar: Ultimate Party released in October 2014 received a 40/100 rating, marking it as one of their few poor entries. Recent releases like PlayStation VR Worlds in October 2016 scored 64.6, and other titles such as Everybody Dance 3 from December 2013 appeared near the end of their activity. The company also created other well-known properties including Wonderbook, EyeToy, and The Getaway according to their bio. Their output shifted significantly after 2010, with fewer releases and some scores dipping below the average mark found in their earlier years.















































